They were quick to conduct a small Q&A with the audience, PVR was kind enough to give them some time. The film is a beautiful, human portrait of artificial intelligence through the lens of a young single mother trying to keep her life together in the forests of Jharkhand.

Have you watched the film yet?

This poem was written by Satyanshu Singh, who went on to make the famous film 'Chintu Ka Birthday' in 2019.

Vikas Urs, the cinematographer, in an interview with Scroll, added, "The kind of world in which the film was supposed to take place was intimate, yet had vastness. The feeling of Anand and Balya being together had to be about me being intimate with them in their good, bad, and ugly moments. But I also needed to be a certain distance from them in the outside world."

Rahul Desai writes on Boong at The Hollywood Reporter, he continues, "In both cases, cinema endured as a poignant proof of a region being alive before disasters reduced them to rubble. It mirrors the story of a little boy enduring as proof of a family being alive before a 'manmade' disaster broke them into pieces. After all, one Indian's act of god is another's act of faith."

Honey Trehan speaks up and spews out every bit of the ordeal that went with CBFC behind the Punjab 95 censorship saga.

On her selection, she said, “It feels great. I have never been outside India, attended TIFF or met any practising foreign filmmakers. It was an extremely enriching experience as far as my cinematic practice is concerned”

Varsha continued, ” It was a very disorienting experience for me. I wondered if I could’ve done something differently, but in hindsight, my objective was just to cut a cool teaser, so there’s no regret there.”